The Myth of Eros in Michael Field’s Sapphic Project: from a New Materialism to a Tragic Determinism

Autores/as

  • Mayron Estefan Cantillo Lucuara Universitat de València

DOI:

https://doi.org/10.17398/2660-7301.43.119

Palabras clave:

Michael Field, Long Ago, Safo, Eros, Paradoja, Mito

Resumen

El objetivo de este artículo consiste en examinar cómo Katharine Bradley y su sobrina Edith Cooper reinterpretan la figura de Safo en conexión directa con el mito de Eros en Long Ago (1889), el primer poemario que compusieron bajo el pseudónimo de Michael Field. Con este propósito en mente, seleccionamos una serie de poemas dirigidos a la deidad griega del amor, realizamos un análisis detallado de los mismos y demostramos que las Fields componen una mitografía dramática que explora la identidad paradójica del dios y, al mismo tiempo, revela toda una verdad intemporal inherente al propio mito de Eros: el amor constituye un fenómeno ambivalente que crea, inspira y eleva tanto como destruye, oprime y mata.

https://doi.org/10.17398/2660-7301.43.119

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Referencias

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Publicado

2020-10-02

Cómo citar

Cantillo Lucuara, Mayron Estefan. 2020. “The Myth of Eros in Michael Field’s Sapphic Project: From a New Materialism to a Tragic Determinism”. Anuario De Estudios Filológicos 43 (October): 119-36. https://doi.org/10.17398/2660-7301.43.119.