Who is this "I"? Point of view, modalization, and focalization in poetry
DOI:
https://doi.org/10.17398/2660-7301.49.187Keywords:
Point of View, Modalization, Focalization, Contemporary Poetry, Cognitive PoeticsAbstract
This article develops a cognitive-theoretical framework for analyzing the point of view in lyric poetry, integrating contributions from cognitive grammar, cognitive semantics, the pragmatics of enunciation, text linguistics, and cognitive poetics. It argues that poetic meaning is not organized as the representation of pre-existing contents, but rather as the staging of situated operations of conceptualization. As an illustration of the theoretical model proposed, the study offers an analysis of several texts from contemporary Spanish poetry; however, the ultimate aim of the article is to lay the foundations for a general theory oriented toward the semantics of poetry. Through this theoretical framework and the analyses presented, the article shows how viewpoint, modalization, and focalization function as central cognitive mechanisms that shape a poetic experience characterized by indeterminacy, the progressive loss of subjectivization of the lyrical “I”, and a non-prototypical redistribution of attention.
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